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Base Year
Historical Year
Forecast Year
Platform operators are intentionally partnering with long-standing comic publishers to transform widely recognized global characters into mobile-native vertical formats. This enables faster audience growth and stronger user interaction, supporting the development of the Australia webtoons market. The effectiveness of this method is very prominent in Australia, where readers demonstrate strong preference to international franchises and are more willing to start using webtoon platforms if they see familiar titles available along with new ones.
The strategy was very evident when WEBTOON Entertainment signed an exclusive partnership with IDW Publishing in April 2025, thus acquiring the digital rights to vertically reformatted titles like Godzilla: Unnatural Disasters and They Called Us Enemy that led to the strengthening of its premium English-language library and increasing its uniqueness in the competitive markets, Australia included. WEBTOON has seized the opportunity to bring more licensed content to the platform which is the main reason they have decided to deepen the relationship with Dark Horse Comics in June 2025. Hence, the platform will be enriched with the addition of the major Disney, Netflix, and CD Projekt Red franchises like the Witcher, Cyberpunk 2077, and The Legend of Korra.
First and foremost, these changes show how publisher alliances can amplify content quality and credibility. Moreover, alliances with publishers can deepen user engagement and eventually support sustainable monetization, which is a great way to leverage long-term Australia webtoons market growth in to keep the content flowing in a scalable way.
Value in AUD million
2026-2035
Australia Webtoons Market Outlook
*this image is indicative*
|
Australia Webtoons Market Report Summary |
Description |
Value |
|
Base Year |
AUD million |
2025 |
|
Historical Period |
AUD million |
2019-2025 |
|
Forecast Period |
AUD million |
2026-2035 |
|
Market Size 2025 |
AUD million |
162.53 |
|
Market Size 2035 |
AUD million |
1408.16 |
|
CAGR 2019-2025 |
Percentage |
XX% |
|
CAGR 2026-2035 |
Percentage |
24.10% |
|
CAGR 2026-2035 - Market by Region |
Australian Capital Territory |
27.0% |
|
CAGR 2026-2035 - Market by Region |
Western Australia |
25.8% |
|
CAGR 2026-2035 - Market by Type |
Sci-Fi |
28.4% |
|
CAGR 2026-2035 - Market by Revenue Model |
Subscription Based |
26.2% |
|
2025 Market Share by Region |
Victoria |
24.4% |
December 2025- Netflix Shares Trailer for Webtoon-Based Series Cashero
Netflix released Cashero's trailer, a live-action adaptation of the webtoon. The series that centers on Sang-woong and other characters with superpowers but also struggles common to everyone combines superhero action and everyday life making it a hit with a broad audience. Its worldwide release in December is going to be a great advertisement for webtoon-based content all over the world, thus contributing to the growth of both the digital comics and streaming in the Australia webtoons market.
November 2025 — Titan Books partners with Crunchyroll Manga
Crunchyroll's freshly launched Crunchyroll Manga app got more content to read due to a collaboration with Titan Books, bringing in over 20 manga series for instance ATOM: The Beginning, Burst Angel, Speed Grapher and so on. By adding these titles, the streaming service gets more diversified, and thus more attractive to a broader audience of premium users from different publishing houses.
September 2025 — Crunchyroll Manga debut with major publishing houses
The Crunchyroll Manga service came out on October 9, 2025, and it was equipped with a vast variety of titles from AlphaPolis, Square Enix, VIZ Media, Yen Press and more. Readers had access to digital multi-genre comics on mobile and web platforms. With this step, the company can now reach global audiences and is able to compete with subscription-based platforms in the Australia webtoons market.
January 2024- Wattpad WEBTOON Studios, Screen Queensland Introduce Writer’s Program
Wattpad WEBTOON Studios with the support of Screen Queensland are looking for writers in Queensland who can transform digital titles like School Bus Graveyard, Apartment 239, and All Good Things into films or series. Those chosen among the applicants will be provided with mentorship and, possibly, production support.
Entertainment IP Partnerships
Partnerships with key entertainment IP holders have been a major factor in the growth of Australia webtoons market, as they bring in the already existing fans to the world of vertical comics. A clear example of this is the partnership between WEBTOON Entertainment and The Walt Disney Company in September 2025, which aimed at the creation of a new digital comics platform account with titles from Disney, Marvel, Star Wars, Pixar as well as 20th Century Studios besides the minority equity investment of Disney in Webtoon. These kinds of collaborations are opening the doors to the mainstream and fast-tracking the user onboarding process in digitally mature markets such as Australia.
Creator Program Expansion
The rising trend of continuously dedicating resources to the development of creators through different programs to keep the content flowing in a scalable way, is driving the Australia webtoons market expansion. In December 2025, the network of the webtoon platform made public its decision to broaden its Creator Programs by adding a more formalized Creator Residency program designed to offer editorial, financial, and platform support to the up-and-coming creators working on its English-language platform. The goals of these schemes are to raise the quality of the output and to get a larger variety of content, which indirectly benefits countries like Australia by providing more global and creator-driven stories.
Brand and Platform Partnerships
By means of brand-led partnerships, the platforms of webtoon are now able to weave their content into larger digital ecosystems, thus creating more opportunities in the Australia webtoons market for the content to be discovered and for the users to interact with it. WEBTOON was able to strengthen its ties with the gaming and digital platforms in the period of 2024–2025. They have achieved this through the collaboration with Discord and game studios that are under Stillfront Group to create interactive and narrative-driven experiences that are related to the webtoon IP. Such steps open non-conventional routes to the platforms to get in touch with the users who are active in the digital sphere and thus they can achieve audience growth in those markets where there is a great deal of cross-platform consumption, like Australia.
Industry Coalition Participation
By being a member of various worldwide industry coalitions, the company is gaining the trust of both publishers and creators, which leads to the distribution of premium content on webtoon platforms. In the third month of 2025, NAVER WEBTOON, a member of the Alliance for Creativity and Entertainment (ACE), took a pioneering step among the webcomic-focused companies in the coalition committed to fighting digital piracy. This transition will make the security of the content more reliable, which is the platform's attractiveness in the eyes of the licensed publishers, and thus, there will be a steady inflow of content from these publishers into various international markets, Australia included.
Vertical Reformatting of Legacy Comics Broaden
Webtoon platforms in the Australia webtoons market are expanding their potential audience by taking the old-format comics and converting them into vertically scrolling ones. In recent years, WEBTOON Entertainment, a leading webtoon platform, was very active in converting the worldwide comic properties to vertical reading formats, among which there were also licensed and publisher-backed titles as part of their strategy for global content expansion. These changes make it easy for fans of traditional comics and manga to switch to mobile-first consumption. Hence, it will increase the level of engagement in such smartphone-centric markets as Australia.
The EMR’s report titled “Australia Webtoons Market Report and Forecast 2026-2035” offers a detailed analysis of the market based on the following segments:
Market Breakup by Type
Key Insights: The Australia webtoons market by type comprises Comedy, Action, Sci Fi, Horror, Romance, and Others with platform that are tailoring their content strategies to increase their engagement with customers. Genres such as Romance and Comedy are helping mobile native readers to get entertained with the relatable stories, while the Action and Sci Fi are getting the benefits of the high-profile franchise partnerships. For example, in June 2025, WEBTOON Entertainment extended its partnership with Dark Horse Comics to bring the top action and fantasy titles such as The Witcher, Cyberpunk 2077, Critical Role, and Plants vs. Zombies to its vertical scroll platform, thus by this move the genre diversity is deepened, and more audiences are attracted. The growth of Horror and niche categories is funded by the indie and creator-led originals that deepen platform libraries.
Market Breakup by Revenue Model
Key Insights: The Australia webtoons market has subscription-based and advertisement-based models, and companies are adapting their portfolios accordingly. Naver Webtoon Limited and Lezhin Entertainment are using a subscription model to provide premium, exclusive series and the feature of the early access, thus enticing the users with a stable source of revenue. In contrast, Wattpad Corp. and Kakao Corp. promote access to free content to expand their audience and attract casual readers. However, many platforms are now adopting hybrid strategies to balance user growth with diversified monetization models.
Market Breakup by Application
Key Insights: Mobile is the leading segment for the Australia webtoons market, with platforms such as Lezhin Entertainment and Wattpad Corp. making vertical-scroll formats, mobile-first reading features, and in-app purchases more user-friendly and attractive to those who are always on the move. The usage of laptops is still very essential for long browsing and creator interaction, as companies like Shueisha Inc. provide full web portals and editorial content. Tablets are getting the benefits of the enhanced display capabilities; thus, the companies are improving visual fidelity and UI for bigger screens. On the other hand, television is coming into use via smart TV compatibility and the webtoon IPs that are being converted into animated or streamed content.
Market Breakup by Region
Key Insights: The Australia webtoons market displays local differences in New South Wales, Victoria, Queensland, the Australian Capital Territory, Western Australia, and other regions that are mainly due to digital consumption and concentration of the urban population. New South Wales and Victoria are the principal sources of demand because they have a higher rate of smartphone penetration, younger demographic groups, and a stronger exposure to global digital content. As a result, platforms like Naver Webtoon and Kakao Entertainment are presently investing more in marketing and content localization in these areas. While Queensland and Western Australia are on a path of consistent growth that is fueled by the increasing mobile usage, the Australian Capital Territory is conversely benefitting from its high digital literacy and subscription readiness, thus facilitating the gradual opening of the market to other regions across the country.
By type, action genre continues to record high consumer demand
The Action segment is on fire with success as platforms continue to implement their long-term plans by adding more genres and attracting more users. For instance, in December 2024, Nanobit, a Stillfront company, teamed up with NAVER WEBTOON to create free-to-play mobile games based on the widely read webcomics. Among the titles are Operation: True Love, My Roommate is a Gumiho, and My ID is Gangnam Beauty, in which the action parts of the stories are mixed with real-time gameplay. Such a collaboration is a great exemplification of the action content trend to be widely accessed in different formats and garnering new fans from the webtoon ecosystems.
The romance genre is witnessing high consumer demand in the Australia webtoons market, attributed to the cross-media adaptations that bring the audience closer to the original digital comics by making the content accessible in other formats. In February 2025, Kakao Entertainment made the move to globalize a drama adaptation of its well-known webtoon Secret Relationship that was released simultaneously on Watcha, Fuji TV’s FOD, iQIYI, and a number of other OTT platforms. The crossing format of the story makes it accessible to a much wider audience, attracts new webtoon fans, and deepens the long-term engagement and romance category's franchise value.
By revenue model, subscription-based model gains popularity
As platforms diversify strategic collaboration-driven premium content offerings, the subscription-based model gains more strength. The Walt Disney Company and WEBTOON Entertainment were the two parties that, in September 2025, brought about the idea of a single subscription-based digital comic platform that would offer more than 35,000 titles from Marvel, Star Wars, Disney, Pixar, and 20th Century Studios. So, not only is the premium catalog expanded significantly, but the development also supports subscription growth and monetization.
The advertisement-based model contributes substantially to the Australia webtoons market revenue with the introduction of different technological solutions to meet the needs of platforms that offer free content access. One such way is presented in the October 2024 case when WEBTOON Entertainment launched its newly consolidated Wattpad WEBTOON Ad Solutions team at Advertising Week New York, facilitating advertisers to reach the Gen Z audience who are the most active consumers of webcomics and web novels. The concerted advertising effort can help attract more ads to work as a source of income, while at the same time, the content remains accessible to a broad user base without any charges.
By application, mobile records notable uptake
Mobile is the leading segment of the Australia webtoons market with platforms putting more emphasis on the vertical scroll reading experience for their users, who mostly use smartphones. Companies are vigorously working on mobile involvement through the introduction of premium content and forming collaborations at the international level. The evidence of this was fully presented in September 2025 when WEBTOON Entertainment capitalized on its goodwill with Disney to not only bring 100-plus titles from Disney, Marvel, Star Wars, and 20th Century Studios but also to unveil these titles in a mobile-first vertical format that drastically facilitated content discovery and user engagement.
The TV category witnesses notable growth in the Australia webtoons market due to IP extensions of webtoon platforms beyond mere reading apps into, for example, the animated domain. On the 25th of November 2025, WEBTOON Entertainment and Warner Bros. Animation entered into a partnership agreement to collaborate on the production of animated adaptations of globally acclaimed webcomics for release on television and streaming platforms. This advancement initiative helps cross-device consumption, providing webtoon users with more ways to enjoy their favorite content, and thus, boosting the reach of webtoon IPs to bigger crowds, not to mention increasing platform appeal in a wider range of environments than just mobile and desktop.
|
CAGR 2026-2035 - Market by |
Region |
|
Australian Capital Territory |
27.0% |
|
Western Australia |
25.8% |
|
New South Wales |
XX% |
|
Victoria |
XX% |
|
Queensland |
XX% |
|
Others |
XX% |
By region, New South Wales leads the market growth
New South Wales is at the forefront of the Australia webtoons market growth and is leading the adoption of new trends attributed to the presence of the large number of mobile users that have quickly become fans of digital entertainment, which in turn has made the platforms offer more content to keep up the growth. Kakao Entertainment with its Tapas webtoon platform, achieved a milestone on the 12th of January 2024 when they managed to reach a daily revenue of 200 million KRW, which is a clear indication of perfect engagement and monetization potential as content from the platform is spread to more communities, resulting in improvements in the localization. This business win is a strong sign of how the big players are investing their resources to speed up content delivery in high-demand areas.
The Australia webtoons market witnesses strong growth in Victoria, as platforms introduce new features that not only support the creators but also increase user engagement thus leading to content diversity and retention. MANGA Plus, the Shueisha app, in June 2024, rolled out a limited-time creator support feature through which users could watch ads and, by doing so, directly help the creators via the generated ad revenue. This is representative of a more general direction whereby platform-creator monetization-linked initiatives are being implemented to deepen engagement and draw in loyal readership in places like Victoria which is experiencing an uptrend in digital content investment.
Major Australia webtoons market players are concentrating more on strategic partnerships and expansion of licensed content to improve their competitive positioning. To convert popular franchises into mobile-native vertical formats, companies are collaborating with established publishers, entertainment studios, and IP owners. The strategy not only makes the content more credible but also speeds up user acquisition and supports higher engagement levels in English-language markets like Australia, where the consumption of global entertainment is still strong.
Meanwhile, top platforms and webtoon companies in Australia are investing in product innovation and creator ecosystem development to keep their growth going. Some of the measures they are taking include broadening creator programs, upgrading monetization tools, refining recommendation algorithms, and reinforcing the intellectual property protection framework. The strategies that the platforms implement help them to increase content output and retention and also attract premium publishers which concurs with the overall upward trend of the webtoons market.
Naver Webtoon Limited
Naver Webtoon Limited is a global digital comics platform that was established in 2004, and it is a subsidiary of NAVER Corporation. Located in Seongnam, South Korea, and is known worldwide for being the first one to use a vertical-scroll webtoon format.
Kakao Corp.
Kakao Corp. is a technology and digital content company located in South Korea. It was established in 2010 by the merger of Daum Communications and Kakao. The company whose main office is in Jeju City, South Korea, through its Kakao Entertainment division runs the main webtoon and web novel platforms.
Lezhin Entertainment, LLC.
Lezhin Entertainment, LLC, is a digital comics publisher that was established in 2013 and is known for its content portfolio of its premium webtoon. The company, which is headquartered in Seoul, South Korea, directs its monetized, global audiences mature-themes storytelling, and in recent years it has emerged as a leading name in the Australia webtoons market.
Shueisha Inc.
Shueisha Inc. is an innovative Japanese publishing company that was established in 1925, and is based in Tokyo, Japan. The company is tightly connected with manga and digital comics through the titles that have gained worldwide recognition and by launching various digital distribution initiatives.
Other players in the market include Wattpad Corp., among others
Explore the latest trends shaping the Australia Webtoons Market 2026-2035 with our in-depth report. Gain strategic insights, future forecasts, and key market developments that can help you stay competitive. Download a free sample report or contact our team for customized consultation on Australia webtoons market trends 2026.
*While we strive to always give you current and accurate information, the numbers depicted on the website are indicative and may differ from the actual numbers in the main report. At Expert Market Research, we aim to bring you the latest insights and trends in the market. Using our analyses and forecasts, stakeholders can understand the market dynamics, navigate challenges, and capitalize on opportunities to make data-driven strategic decisions.*
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In 2025, the Australia webtoons market reached an approximate value of AUD 162.53 million.
The market is projected to grow at a CAGR of 24.10% between 2026 and 2035.
The key players in the market include Naver Webtoon Limited, Kakao Corp., Lezhin Entertainment, LLC, Shueisha Inc., Wattpad Corp., and other emerging and regional players.
Key strategies driving the market include include expanding licensed and original content through global partnerships, reformatting comics into mobile-first formats, strengthening subscriptions and premium monetization, and leveraging cross-media collaborations to increase audience reach.
The major challenges that the Australia webtoons market faces include content piracy, intense competition from other digital entertainment platforms, monetization limitations, limited local creator presence, and the need for continuous innovation to retain users.
Explore our key highlights of the report and gain a concise overview of key findings, trends, and actionable insights that will empower your strategic decisions.
| REPORT FEATURES | DETAILS |
| Base Year | 2025 |
| Historical Period | 2019-2025 |
| Forecast Period | 2026-2035 |
| Scope of the Report |
Historical and Forecast Trends, Industry Drivers and Constraints, Historical and Forecast Market Analysis by Segment:
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| Breakup by Type |
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| Breakup by Revenue Model |
|
| Breakup by Application |
|
| Breakup by Region |
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| Market Dynamics |
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| Competitive Landscape |
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| Companies Covered |
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